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Florida Museum of Photographic Arts

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Announces Call For Entries for the 2025 International Photography Competition

The Florida Museum of Photographic Arts (FMoPA) is excited to announce the opening of the call for entries for the 2025 International Photography Competition. Now in its 14th year, this prestigious competition invites photographers from around the world to submit their work for a chance to be featured in an exclusive exhibition hosted at the museum’s historic Ybor City location. The call for entries opens on February 17, 2025, and closes on May 18, 2025.

Building on the success of the 2024 competition, which saw a record-breaking 2,557 entries from 593 photographers across 59 countries, FMoPA anticipates even greater participation in 2025. Entries will be evaluated by an esteemed international panel of judges, who will assess submissions based on criteria such as originality, technical excellence, composition, artistic merit, and overall impact. Winners will be selected in each category, with one exceptional entry awarded the title of “Best in Competition,” accompanied by a $1,000 cash prize generously sponsored by Visit Tampa Bay.

Categories for the 2025 International Photography Competition:

  • People/Portraits
  • Places/Landscapes
  • Nature/Science/Animals
  • Documentation/Photojournalism
  • Still Life
  • Conceptual
  • Abstract Photography

Winners from each category will have their work showcased in a group exhibition at FMoPA, running from July 8 to August 24, 2025. This exhibition will provide a dynamic platform for the winning photographs to be appreciated by art enthusiasts, local communities, and visitors from around the world. Photographers interested in participating can submit their entries online through the FMoPA website (www.fmopa.org) starting February 17, 2025. The submission deadline is May 18, 2025. Detailed guidelines, entry fees, and submission requirements are available on FMoPA’s website.

Natural Ayurvedic Support for Joint and Nerve Comfort

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Introduction

Many people begin researching Kerala Ayurveda Alsactil Tablet uses after months of dealing with stubborn joint stiffness, lower back discomfort, or nerve-related tingling that just doesn’t fully go away. It often starts subtly. A little knee pain while climbing stairs. Tightness in the shoulders after long hours at a desk. Over time, these small issues become frequent enough that people look for deeper, more natural support.

Ayurveda approaches joint and nerve health differently from symptom-based treatment. Instead of focusing only on pain relief, it aims to restore internal balance, nourish tissues, and improve resilience from within. The philosophy is not about masking discomfort but supporting long-term mobility and strength.

Core idea explained

What it means in simple words

In simple terms, this topic refers to an Ayurvedic herbal formulation traditionally used to support joint flexibility, muscle comfort, and nerve strength. People exploring it are often searching for natural anti-inflammatory support, herbal tablets for knee pain, or Ayurvedic remedies for stiffness and nerve weakness.

Unlike conventional painkillers that work quickly but temporarily, Ayurvedic formulations are designed to gradually nourish tissues. The focus is on improving lubrication, supporting circulation, and strengthening bones and nerves over time. It’s not an overnight solution, and that sometimes surprises people.

Why people search for this topic

Most searches are practical. Someone wakes up every morning feeling stiff. Another person notices discomfort worsening in cold weather. Others feel mild numbness after long sitting periods.

They may have tried pain balms, supplements like calcium, or occasional over-the-counter tablets. Relief is temporary. So they start looking into herbal joint care, Ayurvedic nerve tonics, and natural mobility support options. Many are also concerned about long-term dependency on synthetic medications and want a gentler approach.

Ayurveda perspective

Ayurvedic principles involved

According to Ayurveda, joint and nerve discomfort is frequently associated with aggravated Vata dosha. Vata governs movement, dryness, and nerve impulses. When it becomes imbalanced due to stress, irregular meals, aging, lack of sleep, or excessive travel, symptoms like dryness, stiffness, and cracking joints can appear.

This imbalance may affect asthi dhatu (bone tissue) and majja dhatu (nerve tissue). Herbal formulations in this category are traditionally designed to pacify Vata, improve lubrication in joints, and nourish deeper tissues. Many ingredients are warming and support healthy circulation.

Ayurveda emphasizes gradual improvement. Healing is seen as a process of rebuilding strength rather than simply suppressing discomfort. It takes time, but results may feel more stable.

Typical patterns people notice in real life

People often report similar patterns:

Morning stiffness that eases after gentle movement.

Joint discomfort that worsens during winter.

Cracking sounds in knees or shoulders.

Mild swelling after prolonged standing.

In some cases, digestive sluggishness accompanies joint symptoms. Ayurveda connects poor digestion and toxin buildup, known as ama, with inflammatory tendencies in the body. Supporting digestion becomes part of the overall strategy.

Practical guidance

Daily routine tips

A consistent daily routine can significantly calm Vata imbalance. Waking at the same time each day and starting with warm water may gently stimulate digestion. Gentle stretching or yoga in the morning helps maintain joint flexibility. Even 15 minutes daily can create noticeable changes over several weeks.

Abhyanga, or self-massage with warm sesame oil, is especially beneficial. Massaging joints before a warm bath may reduce dryness and stiffness. It sounds almost too simple, but when done regularly, many people notice improvement.

Food and lifestyle suggestions

Warm, freshly cooked meals are generally preferred over cold or processed foods. Soups with ginger, turmeric, and garlic may support circulation and digestive balance. Hydration is often overlooked, yet it plays an important role in tissue health.

Adequate sleep is equally important. Late nights increase Vata and may worsen nerve sensitivity. Moderate strength training can also support joint stability, since weak muscles place extra strain on joints.

What to avoid

Skipping meals, extreme dieting, overexertion during flare-ups, and excessive cold exposure can aggravate symptoms. Another common mistake is expecting rapid results. Herbal support builds gradually. Stopping too early because progress feels slow can limit potential benefits.

Safety and when to seek medical help

While Ayurvedic joint support can be helpful, certain symptoms require medical evaluation. Severe swelling, redness, sudden sharp pain, persistent numbness with muscle weakness, fever, or unexplained weight loss should not be ignored.

Individuals with chronic conditions such as diabetes, kidney disease, or autoimmune disorders should consult a qualified healthcare professional before starting herbal supplements.

If there is sudden loss of bladder control, severe back pain after trauma, or progressive weakness, urgent medical care is necessary. Ayurveda can complement conventional care, but it does not replace emergency treatment.

Conclusion

Joint and nerve discomfort often develop gradually, and they respond best to steady, balanced care. Ayurveda offers a holistic framework focused on restoring harmony, nourishing tissues, and improving resilience rather than simply suppressing pain.

Begin with simple lifestyle changes, maintain consistency, and explore safe herbal support when appropriate. Small daily habits can lead to meaningful improvements over time. If this article helped you, share it with someone who may benefit and continue learning about natural approaches to joint and nerve wellness.

FAQs

What are Ayurvedic tablets for joint support usually used for?

They are traditionally used to reduce stiffness, improve flexibility, and nourish bone and nerve tissues.

How long does it take to notice improvement?

Some individuals notice mild relief within a few weeks, while deeper benefits may take 6 to 8 weeks with consistent use.

Can these tablets be taken with physiotherapy?

Yes, they are often combined with physiotherapy and exercise programs to improve overall mobility.

Does cold weather really worsen joint stiffness?

Cold and dry climates can aggravate Vata imbalance, potentially increasing stiffness and discomfort.

Are they helpful for nerve weakness?

They are traditionally used to nourish nerve tissues, but persistent or worsening symptoms should be medically evaluated.

Can I stop my regular pain medication after starting herbal support?

Any changes to prescribed medication should be discussed with a healthcare professional.

Is diet truly important for joint health?

Yes. Digestive health and inflammation are closely linked, and dietary habits can significantly influence joint comfort and recovery.

ONE-ON-ONE WITH TODD MCFARLANE

AN INTERVIEW WITH LEGENDARY COMIC BOOK ARTIST, TOYMAKER, FILM PRODUCER

The legendary Todd McFarlane, a trailblazer in comics and toys, graced MEGACON Orlando 2025. Known for his iconic work on The Amazing SpidermanVenom, among many others, and the creation of Spawn, McFarlane co-founded Image Comics, revolutionizing the industry by giving creators more control over their work. His love for being left of center has consistently pushed boundaries, leading to innovative storytelling and complex themes resonating with fans.

Beyond comics, McFarlane founded McFarlane Toys, setting new standards with highly detailed action figures. At MEGACON, he shared his creative process and vision for the future, inspiring fans and creators with his unwavering dedication to artistic integrity. McFarlane’s presence was a testament to his enduring legacy and passion for challenging the status quo.

What was the first comic book you ever read?

An early issue of The Fantastic Four. I have an older and younger brother, and we would go on road trips. Mom and Dad would go into the store, grab a couple of comic books and chocolate bars, throw them in the backseat, and say, ‘Here, be quiet. I don’t want to hear any fighting.’ I remember the first time I ever read the line, ‘It’s clobbering time.’ Ever since then, The Thing has been my favorite.

There is a Before Todd McFarlane and After Todd McFarlane in both comics and toys. What would you say to the boy doodling in his notebook in school that you would someday revolutionize the industry?

The reality check would be that you don’t know you are, and you’re not going to change it because you know you are doing it. You’re going to change it because you are kind of immature, sort of stubborn guy and your mom will say, ‘You’ve been like that your whole life already, Todd.’ That personality that some people consider a negative will oddly benefit you when you get older, and you stand your ground. It’s hard for me to imagine, in hindsight, looking back that I would make the impact that I did artistically on Spiderman.

What is the story of branching off on your own, and is there a significance to the name Image Comics?

Three of us were going to start a new company, and each do a new comic book independently. So we thought, why not put it under one banner? One of the three said, ‘I have a fourth buddy who wants to join.’ We went to New York to quit, and in those twenty-four hours, from the time we landed until telling Marvel that we were going to quit, we picked up three more heavy-duty creators who happened to be in New York by pure coincidence. By the time we went to the meeting, we had seven. The name came from Rob Liefeld, one of the original guys. There was a camera commercial with Andre Agasti. The punchline at the end he’d take a picture and go, ‘Image is everything.’ Rob said, ‘Image is a good word. Let’s call ourselves Image.’ He drew up the Image eye, and it’s been that ever since. 

Can you give an example of how you come up with character names?

The number one bad guy in Spawn named Violator was from my wife getting wine. I dropped her off and was sitting in the back alley waiting for her. I saw a sign that read, ‘No parking. Tow away zone. Violators will be will be prosecuted.’ I said, ‘Ohh man, Violator is a cool name. You just see words and go, ‘That would be a cool name.’

What do you enjoy most about the toy-making process?

Trying to solve the puzzle of each figure. There’s always something you are trying to figure out. There is the holy grail for me – it’s the perfect toy, but that’s like drawing the perfect page – it will never happen. You strive for it and then you die. This is every artist. This is why we’re neurotic. A couple of reasons – one – you never turnout perfection because you never accept anything in front of us is perfection and two – we have a million ideas in our head and we know we may only get 100 out before we die. We might die with our best ideas and take them to the grave without the world ever knowing because we can’t get them all out in a lifetime.

What is next for you?

A serious dark – hopefully closer to bordering on horror – Spawn movie. I think that is who that character is and in the superhero comic book one of the few who can live in that arena. Here’s an A+ character in the comic book world that can go into this place that the other characters have to live in PG13. This will be a dark, r-rated movie.

What challenges have you faced while choosing the path less traveled, and how have they shaped your journey?

When nobody’s doing it, that’s the reason to try. A guy like me and my personality – that’s the thrill. Going to path less traveled we don’t know if it’s a dead end, but we know where the other path leads because a hundred other guys have done it. If we survive down this path, they’ll call us geniuses, journeymen. I don’t want to be part of the crowd, never have wanted to. If you go left, I go right and reverse. I’m not married to my position. I just don’t want to be part of group think. I’d rather fail on my own merits than succeed with you telling me what to do. 

After everything is said and done, what do you want your legacy to be?

On my tombstone, other than saying ‘Here’s Todd. He was a husband and father,’ is to read ‘he died a free man.’ I want to go to my grave living life as I see fit.

St. Pete ArtWorks to Relocate

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After over 11 years with a storefront on Central Avenue, St. Pete ArtWorks will relocate to GCAA’s new headquarters at 5546 1st Avenue N., St. Petersburg. The lease at their present location, 2604 Central Ave., expires on February 28. Executive director and founder Judy Vienneau states, “It is sad to see our time on Central Avenue come to and end, but the move will allow more flexibility and a variety of activities, including more interaction with the community.” She thanks the loyal art lovers and customers who have made St. Pete ArtWorks such a special place, and hopes they will continue their support at the new location.

St. Pete ArtWorks is an artist cooperative gallery which has operated under the umbrella of the non-profit Gulf Coast Artists’ Alliance. With new branding, “GCAA ArtWorks” at its new location will offer classes, outdoor markets, open-studio, and cultural film viewing, as well as exhibitions, space rentals, studios and a gift shop. All these activities align with GCAA’s mission, which is to provide the local art community with an opportunity to network, share resources, conduct workshops and classes, and hold exhibitions.

Jillian Holladay is February’s featured artist at St. Pete ArtWorks, 2604 Central Ave. Her show will end February 23, and the move will take place February 24-27. During that last week of February, a “Moving Sale” will be held, offering unneeded fixtures, display items, and select artwork for sale.

Director Judy Vienneau

director@gcaa-fl.org

727-738-8010

WHO: St. Pete ArtWorks Gallery

WHAT: Moving to a new location and rebranding

WHEN: March 1, 2025

WHERE: 5546 1ST Ave. N., St. Petersburg FL 33710

 ReadOUT LGBTQ+ Book Festival 

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 ReadOUT LGBTQ+ Book Festival Returns To Gulfport Feb. 14-16, Offers Virtual Events 

GULFPORT, FL – Celebrate LGBTQ+ authors and literature at the 2025 ReadOUT event, an annual book festival in Gulfport, Florida, scheduled to take place Feb. 14-16. 

With a theme of “Queering the Narrative,” the festival will feature panel discussions, readings, and keynote addresses, as well as author meet-and-greets, book signings, and entertainment. 

ReadOUT, presented by OUT Arts & Culture, will bring together thousands of literary enthusiasts both virtually and in person to celebrate, educate, and inspire around LGBTQ+ literature. 

$10 tickets to this year’s programming can be purchased online at givebutter.com/readout2025

Now in its eighth year, the majority of the weekend’s events will be staged at the Catherine A. Hickman Theater, 5501 27th Ave. S., Gulfport. 

There’s also a virtual component to the event, which allows bibliophiles from around the world to attend ReadOUT. 

The festival’s full schedule is available online here. 

Your Complete Guide to Traveling in Egypt

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Egypt is a destination that captures the imagination of travelers from around the world. This ancient land offers an unparalleled blend of historical treasures, diverse landscapes, and warm hospitality that makes it a must-visit location for anyone with a passion for exploration and discovery.

A Journey Through Ancient History

Egypt’s historical legacy spans over five thousand years, making it one of the world’s oldest continuous civilizations. The country is home to some of humanity’s most remarkable achievements, from the Great Pyramids to the temples of Luxor and Karnak. The Pharaonic period left behind monuments that continue to astound modern visitors, including the Sphinx, the Valley of the Kings, and countless museums filled with artifacts that tell the story of this extraordinary civilization. For those interested in exploring these iconic landmarks, Giza tours and attractions offer an exceptional starting point to witness the magnificent pyramids and sphinx up close. The Islamic and Coptic heritage adds another rich layer to Egypt’s historical tapestry, with medieval mosques, churches, and fortresses scattered throughout Cairo, Alexandria, and other historic cities. Understanding this deep historical context enhances every moment of your visit, transforming simple sightseeing into a profound connection with human civilization.

Diverse Geography and Natural Wonders

Egypt’s geography is remarkably diverse, offering far more than the desert landscapes commonly associated with the country. The Nile River, the world’s longest river, serves as the lifeblood of the nation, creating a fertile valley that contrasts dramatically with the surrounding deserts. The Eastern and Western Deserts present opportunities for adventure travel, with unique rock formations, oases, and desert safaris. Along the Mediterranean coast, you’ll find beautiful beaches and historic port cities like Alexandria, while the Red Sea coast to the east is renowned for world-class diving and snorkeling among vibrant coral reefs. The Sinai Peninsula offers mountainous terrain, including Mount Sinai, a site of religious significance with breathtaking sunrise views. This geographical diversity means that vacations in egypt can be customized to suit virtually any preference, whether you’re seeking historical exploration, beach relaxation, desert adventures, or underwater experiences.

Climate Conditions and Social Landscape

Egypt enjoys a predominantly desert climate characterized by hot, dry summers and mild winters. The best time to visit for most travelers is between October and April, when temperatures are comfortable for sightseeing and outdoor activities. Summer months from June to August can be extremely hot, particularly in Upper Egypt and the desert regions, with temperatures often exceeding 40°C (104°F). Coastal areas benefit from Mediterranean and Red Sea breezes that moderate temperatures year-round. Egyptian society is warm and welcoming, with hospitality deeply ingrained in the culture. The population is predominantly Arab and Muslim, with a significant Coptic Christian minority, creating a rich cultural blend. Arabic is the official language, though English is widely spoken in tourist areas, hotels, and by tour guides. The society values family, tradition, and respect, and visitors will find Egyptians generally friendly and eager to share their culture. Understanding basic cultural norms, such as modest dress in religious sites and conservative areas, respectful behavior, and the importance of greetings, will enhance your interactions and experiences throughout your journey.

Essential Travel Advice and Tips

Planning your Egyptian adventure requires some practical preparation to ensure a smooth and enjoyable experience. First, arrange your visa in advance or obtain a visa on arrival at Cairo International Airport, depending on your nationality. Book accommodations and major tours ahead of time, especially during peak season, and consider Egypt Private Tour Packages for a more personalized and hassle-free experience with expert local guides. Stay hydrated in the hot climate by drinking plenty of bottled water, and be cautious with street food until your stomach adjusts. Dress modestly, particularly when visiting mosques, churches, and conservative neighborhoods; women should carry a scarf for covering shoulders and head when entering religious sites. Negotiate prices for taxis, souvenirs, and services in markets where bargaining is expected and part of the cultural experience. Keep small bills for tipping, as it’s customary to tip guides, drivers, hotel staff, and service workers. Protect yourself from the strong sun with sunscreen, sunglasses, and hats, especially when visiting outdoor archaeological sites. Be respectful when photographing people and always ask permission first. Exchange some currency to Egyptian pounds for small purchases, though credit cards are accepted in major hotels and restaurants. Finally, purchase comprehensive travel insurance, stay aware of your surroundings, and follow local guidance regarding safe areas to visit. With proper planning and an open mind, your Egyptian journey will be an unforgettable experience filled with wonder, learning, and cherished memories.

Egypt offers travelers an extraordinary opportunity to walk in the footsteps of pharaohs, explore vibrant bazaars, cruise the timeless Nile, and discover natural wonders both above and below the water. By preparing thoughtfully and approaching your visit with cultural sensitivity and enthusiasm, you’ll unlock the full magic of this incredible destination.

Imagine Museum – St Pete

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Vision, Reflection, Glass!

Driving down Central Avenue it is difficult not to notice the large bright blue building on the 1900 block. It houses Imagine Museum. In this city of museums, it is easy to pass it by saying, “Oh, that’s that glass museum.” But have you been inside? It would not be overstating to say that this is a world-class collection. There are over 1600 pieces made by artists from twenty different countries with as many as 450 works on view at any one time.

My expertise is in photography and I admittedly know very little about glass, so it is difficult for me to even convey the wide variety of techniques and creativity displayed. It’s difficult to believe some of these works are even glass. There are exquisite examples of glass blowing, casting, slumping, fusing, laminating, and torch work. But does that even begin to illuminate how artist Anthony James is able to create Portal Icosahedron, a geometric globe formed of glass and titanium incorporating twenty triangular facets combined in such a way as to form a sculpture of perfect symmetry in three dimensions? It is mesmerizing to stare into its depths. It feels like staring into infinity.

Does it prepare you for the room housing 1000 Prayers for Compassion created by the founder of the Museum, Trish Duggan? The room features the word “Compassion” in purple neon lights illuminating an embankment of 1000 glass heads of the goddess of compassion. The surrounding walls feature quotes from the Dalai Lama, a definition of compassion, and an exhortation to be more compassionate.

This leads us to the overall theme of the Museum, to “inspire, uplift and educate.” They go out of their way to do this throughout the building. Inspirational quotes by world history greats like Albert Schweitzer, Kazuo Inamori, and Franklin D. Roosevelt, among others, are quoted both on the walls and on small cards that visitors are encouraged to take with them. In the lobby of the museum currently hang two large mosaics of glass created in collaboration by Trish Duggan and the Swedish artist Bertil Vallien. They are titled Human Rights, 2019 and Peace, 2020, and feature varied squares of symbols and animals illustrating these ideas as well as etched portraits and quotes from Nobel Prize winners and inspirational people. They are at once both beautiful and purposeful.

Not everything is quite so serious. There is a gallery of alien-inspired art by artists such as Czech artist Martin Janecky and Austrian-Irish artist Gottfried Helnwein who resides in Ireland. I even got my picture taken with an augmented alien.
Rik Allen makes wondrous sculptures made out of blown and cut glass with silver, steel, aluminum and copper that look like models of futuristic spacecraft. Oculus Gazer II, 2015 has two little tiny red lounge chairs installed under a glass dome, and gazing at them leads one to imagine oneself laying on it and gazing out at the galaxy.
Imagine Museum has one of the largest collections of contemporary glass art in the world. St. Petersburg is fortunate to have it in our city. You should visit.

It’s difficult to talk about the Imagine Museum without talking about Trish Duggan. She is a dynamo of energy and ideas and it is thanks to her vision and support that there even is an Imagine Museum. Her concepts, inspirations and art are spread throughout the galleries.

“There is no substitute for being positive and having a positive outlook. The most valuable asset we have is our imagination. This gives us the ability to create brighter futures and help mankind.” 

-Trish Duggan

An accomplished artist herself, Duggan studied woodblock printing at Nanzan University in Japan and printmaking at the University of California Santa Barbara, before coming to Florida. Once here, she embraced the art of glassworking and studying with such local greats as Marlene Rose, Chuck Boux and Susan Gott.

In 2015, Duggan embraced glass-making in a concentrated way and has now created more than one thousand pieces of art. You see examples of her talent installed throughout the Museum. For example, the installation of 1000 Prayers for Compassion (cover). While studying in Japan she had been told that creating 1,000 Buddhas gave one a better chance at reaching Nirvana. A gallery filled with 1,000 glass heads created by her, is a compelling reflection of that.

Duggan is also an avid collector of glass art by creators from around the world. The Imagine Museum was created in 2018 to share these varied and exquisite works with the public. She teamed up with the Habatat Gallery, the oldest and largest glass gallery in the US, and in partnership with their President Corey Hampson has created one of the most significant collections of contemporary glass art in the world.

She is a human rights advocate and philanthropist who believes in the power of positivism to improve the lives of people throughout the world. The stated purpose of the institution is to uplift, inspire and educate and it does so by showcasing amazing artists, offering a stunning visual experience, and teaching about the transformative nature of glass.

 Trish Duggan deserves her own star on the map of Florida’s Glass Coast.  

Website: IMAGINE MUSEUM

Who is Markus Gottschlich

“Who am I”? This question reminds me of ‘Che gelida manina’, an aria from Puccini’s “La Bohème“, where the male protagonist, a poet, answers it with a glorious understatement, accentuated by an almost triumphant cadence. The poignancy lies in the understatement, juxtaposed with the ‘forte’ of the music. Now, what does this thought have to do with the cold, hard facts about who I am?

Our thoughts shape our actions and they, in turn, shape our reality. So, when it comes to introducing myself, it might be more interesting to discuss ideas and concepts instead of a biography that anyone with access to the web could access.

I have never looked at the various factions of the arts as separate entities. Naturally, in the performing arts there is an element of time needed to experience it, whereas in the visual arts the impact is almost instant. Another distinction is the impermanence of the created work. Without the aid of recording devices, once a performance concludes, it vanishes, whereas a painting, a sculpture, a mosaic, have a more permanent, physical existence. As different as the various disciplines are, it always felt quite natural for me to combine them and to strive towards curating accessible, multi-art and multi-sensory experiences.

To me, art is the mortar of humanity and as such, it is also political. At the very least, its potential is to be political, since creating is in the moment, reflecting on the current times. Could art even assume a position of neutrality? Hasn’t art always been a catalyst or set the pace for progress? These questions lead me to examine the role of an artist in society throughout history and consequently, the role an organization like WADA must play in its community.

WADA’s initial mission of creating a sustainable and nurturing environment for a community of artists has been expanded to champion arts education programs for our immediate neighbors on the historic Deuces Corridor and beyond. With new collaborations and initiatives, an expansive membership model, and continued campus improvements, it is my goal to advance the organization, ‘carrying the torch’ for the entire Warehouse Arts District.

These thoughts may give some insight into who I am within the context of the organization and our community. However, if my words do not answer this question at the end of these paragraphs, then a quote from Bertold Brecht’s “The Good Woman of Setzuan” comes to mind:

“Ourselves, dismayed we stand, concerned in vain, the curtain drawn, all questions remain.”

Markus Gottschlich
Executive DirectorWarehouse Arts District Association (WADA)
515 22nd St South
St Petersburg FL 33712
WADAStPete.org
Markus@WADAStPete.org
727-289-142

The ‘Book Babe’ Brings the Art of Book Folding to Tampa Bay

One day, during the early pandemic quarantine, I was cleaning out a hutch when I found a tiny jewelry box. It contained trinkets of costume jewelry, but another object I took as a treasure. It was a tiny paper origami crane.


I never took LSD, but the flashback seemed psychedelic. There on her bed sat a nine-year-old girl in the process of folding a thousand origami cranes, a ritual of good luck she was determined to master.


I love objects that have stories hiding inside of them.


Flash forward more than 30 years. That little girl, my youngest daughter Lauren, is a math tutor at the downtown campus of St. Petersburg College. Her boss had given her the task of “doing something” with out-of-date textbooks.
The spirit of those origami cranes must have revisited her. A little online research led her to a group of women in England who were practicing the art of “book folding.”


In a recent interview, Lauren described her discovery of this little-known craft, which can ascend to the level of paper sculpture and art.
“As a daughter of an author, I grew up with appreciation for books and I suddenly felt bad about throwing the outdated Oceanography textbooks away. I wanted to find a way to give this book a new life.”


She quickly learned the intricate process, created with a pencil, a ruler, and a pair of scissors. And, of course, her hands. A computer scan of a visual image – say, a brown pelican in flight — creates a pattern, which Lauren follows scrupulously, with a few mistakes, such as inaccurate measuring, along the way. Twenty or more hours of work later, a book headed for the dustbin of history (your local landfill), becomes a work so creative, that the jaws of shoppers at local markets drop when they see it. I have seen it happen countless times.


Before long Lauren’s rescue project became a side gig called Dilly Dally’s Custom Art. Booklovers from all over the country now have standard or personalized images on their bookshelves or mantels, inspired by her slogan: “Put a Book in your Nook.”
Lauren’s husband Chaz Dykes, a skilled photographer and musician, is an important part of the process. He scans a custom image – say, a baby’s footprint – and turns it into a numerical pattern. He also reinforces the binding to strengthen the book in its new status as paper sculpture. Depending on the intricacy, a folded book can cost from $50 to $200.


Lauren has become something of a darling to local businesses in St. Petersburg, where her books display the logos of places such as Haslam’s, Tombolo Books, The Banyan coffee shop, and Book + Bottle.


It may feel like a conflict of interest for a dad – who is usually more objective in his writing – to focus this attention on his daughter. But I can help but share a special insight into the development of this creative woman.


It begins in childhood with her love of music, which would manifest itself eventually with a degree in performing arts and musical theater from the University of Tampa. How does a singer and dancer become a college math tutor? Music and math are both expressions of what is called “spatial reasoning,” the ability to see and recreate a repetitive pattern.


Guess what? That’s what book folding is all about too, a marriage of geometry and visual artistry that turns potential paper pulp into a sculpture. It should remind us that a book is not just something we hold in our hands or something we read. It is a multi-media, multi-dimensional creation that represents one of the most brilliant discoveries and technologies in human history, one that endures even in the digital age.


To see more of her work, check out her Facebook page: @dillydallyscustoms. •

By Roy peter Clark

The Accidental Art Collector

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I’m what one would call, an Accidental Art Collector. I was not brought up in an artistic family. We rarely went on vacations or even out to eat for that matter. We were low-middle income and I was a latch key kid with a TV babysitter growing up in the 80’s. However, I was brought up by two very loving parents who created a practical, self-sufficient yet curious daughter that was eager to learn. Saturday afternoons were spent at the public library in Pinellas Park with mom and finished with a stop at the Lil’ General for red hot chewing gum and candies to enjoy while we read our book selections on the couch. Afternoon school pickups were made by dad where all we wished for was a stop at the 7-11 for a Slurpee. Our walls weren’t filled with art or shelves full of sculptures although I do remember having one of those boats made with strings that was hanging over the console TV. But we did have family photos everywhere. On tables, the walls, in shelving… that was our “décor”. So “art” was never a consideration growing up. And that was okay. But being exposed to art in high school was an unexpected blessing!

While on summer vacation with my grandparents, my dad enrolled me in high school and chose two drawing classes and one humanities class for me to attend. I loved them all and actually still have my drawings from 19xx though hidden away safely for no one to see. 😉 But despite that exposure, I really didn’t think anything of art. Then I graduated high school, went on to college, got my own place (with multiple roommates), moved every 7-12 months until getting a little established in my mid to late 20’s when Pier One was my fantasy land. It was affordable, unique (at the time) and just plain fun. So decorate, decorate, decorate I did! Got married, rented a house, purchased furniture, got divorced and spent years rebuilding my credit.

“I only purchase pieces that move me and that I cannot stop thinking about.”

Tracy Kennard

Fast forward…and now in my 30’s and living my life for only me. Immediately after that divorce I went on a cruise. First stop was Haiti and how fortunate I still feel that I got to stop and experience that overwhelming third world nation. Directly off the ship, we walked straight into a Haitian market with all types of goods, services and “extra-curricular” activities. It was scary and fantastic at the same time and somehow I found myself in the tent of a metal artist whose work I just fell in love with. I walked away with two pieces that while I can’t recall how much I spent, I do remember the joy I felt in owning this art that connected me to a country that I knew nothing about. I also remember cutting myself on the sharp point of one of the sun prongs (imagine that, me buying a metal image of a sun – inside joke for those who know me). Hee hee.

So now in retrospect that may have been the beginning of my need to own authentic original art. I remember buying two photos of amazing lightning at the Mount Dora Art Festival a year later, then a photo on canvas of graffiti under a bridge, and going to a friend of a friend’s art show where I felt obligated to buy something yet ended up so thankful that I did because it still adorns my table and I absolutely love that it’s called “Feeling Good.” I also have a vague memory of trading a sculpture for my cat during a bad breakup of which I can’t remember the artist who created the sculpture, nor can I remember that boyfriend. We will call that a win, I suppose, although I do miss that sculpture.

So slowly I began the unconscious process of replacing my Pier 1 “art” and at times, thrift store finds with authentic, original and meaningful (to me) art. And then I start working IN the arts. No, not as an artist, but as a social media marketer, administrator and arts advocate and the world of art just blew wide open! Suddenly the majority of my clients were artists, my friends were artists, I was dating an artist…. There was so much to learn and to experience and I just soaked it all up. But I didn’t go crazy buying art. For one, I had a budget. Single woman, solo entrepreneur, new homeowner. There were practical priorities that ranked higher than artistic desires.

So over the years, I continued to acquire what I liked, what moved me, what I “had” to have and then in April of 2020 (yes the beginning of the pandemic), I was in my house alone, bored, perusing social media when I saw someone post a photo album of their art collection (they were bored too I’m guessing.) I thought to myself that sounds like a good idea so I walked around my house snapping pics of all the art that I’d collected over the years. Paintings, photographs, mixed media, sculptures and you know what? I had over 20 pieces of original artwork in my tiny 1928 bungalow of a house. I was an Art Collector. I am an Art Collector. An Accidental Art Collector to be more exact. Having time to ponder the world during a pandemic, I looked back and realized I had no plans to “collect” art. I just knew I liked what I liked and the bonus was that I got to TALK to the person who created what I liked. Future investing wasn’t a thought, quantity wasn’t a reality, I only purchased pieces that moved me and that I could not stop thinking about.
I also started a list of artists whose work I can’t afford yet but I still follow on social media just waiting for that right time or right place to purchase a piece, meet them and talk about their work.

So now one of my favorite things to do is watch new visitors come into my house and look inquisitively at my walls and shelves and ask me a question about a particular piece. I can tell them the story of meeting the artist who just photographed graffiti under a bridge one random day that ended up inspired the whole trajectory of her art career or why my favorite sculpture in my house is called “Samurai Butterfly.” 😉


Whether or not any of these pieces increase in value is irrelevant to me (although it would be very cool for both me and them), I love having these stories in my home that I get to share and relive over and over again. I’m an Accidental Art Collector and I love it!
Now don’t get me started on the books I collect!!!.•